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41.
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The Routledge Handbook of Philosophy and Improvisation in the Arts by
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42.
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Broken Voices Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions by
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43.
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The State of the Art in Creative Arts Therapies by
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44.
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COVID-19 Outbreak and Beyond Psychological and Behavioral Responses and Future Perspectives by
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45.
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Musicians in Transit Argentina and the Globalization of Popular Music by
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46.
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New Sounds, New Stories Narrativity in Contemporary Music by
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47.
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Neuro-Education and Neuro-Rehabilitation by
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48.
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Music Training, Neural Plasticity, and Executive Function by
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49.
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The Beginnings of Polish Musicology by
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50.
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Immersion Into Noise by
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51.
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From Mummers to Madness A Social History of Popular Music in England, c.1770s to c.1970s by
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52.
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Art of Fugue: Bach Fugues for Keyboard, 1715–1750 by
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53.
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Image and Video Forensics by
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54.
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Fear and Primordial Trust From Becoming an Ego to Becoming Whole by
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55.
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Innovation in Music Performance, Production, Technology and Business by
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56.
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Chapter 4 Kruder and Dorfmeister The studio(us) remixers by
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57.
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Early Printed Music and Material Culture in Central and Western Europe by
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58.
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Simone Verovio Music printing, intabulations and basso continuo in Rome around 1600 by
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59.
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Chapter 9 (The Economics of) Cultural Festivals in the Digital Age An Analysis of the Comics Publishing Industry by
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60.
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Overlap of Neural Systems for Processing Language and Music by
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