cultural communities of practice||n/a||management by project||marketing concept||attitudes||film industry||museums||sustainable urban sculpture development||foresight study||European Capital of Culture||patronage||cross-border market for cultural services||cultural offer||Urban sculpture planning system||Liverpool||cultural and creative industries||culture 1.0–3.0||contemporary art market||cultural offer diversity||heritage||Delphi method||sustainability||grid-group cultural theory||sustainable development||creative-cultural industries||ABC model||social media content exploration||integration||town divided by a border||EU cohesion policies||social project culture||public art||qualitative research methods||3C Sustainable System||cultural institutions||cultural policy||cognitive sociology||old industrial areas||culture-led regeneration||China||cultural participation||cultural sustainability||behavioral and emotional participation||event||social media||public participation||Shigatse city||sustainable management of culture||Katowice||management of culture||effectiveness||post-transformation areas||Cieszyn-?eský T?Å¡Ãn||pro-environmental behavior||cultural distance theory||Romania||art galleries||Ostrava||consumer-based brand equity||sustainable management||culture consumer||factor analysis||environment||cultural services||management||culture||philharmony||crowdfunding||sustainable consumption||evolution path||CBBE||attractivity||abstract and concrete information